Відео

skip to 3:50 for this 'to the point' video...

Can I edit guitar audio track which is recorded through audio interface(no DI device)? I heard that guitar track from DI gives more clarity and clear transient which helps in guitar editing process

Yes! Neural DSP!!!

Many thanks!

Just use a drum machine after the drummer thinks you recorded them like the pros….🤣🤣🤣

Very helpful. I use 5” Studio Monitors by Mackie and a pair of 3” No Brand Speakers.

Gracias por tu tutorial, muy bien, ahora quiero hacerte una pregunta, ¿cómo puedo enviar la caja virtual a un gatillo y combinar ambas cajas?

Very useful info here!!!❤❤❤ Thank you!

Excellent ❤❤❤

So much this. Great video!

Yes, you can…… but it would sound like a garage that is for sure……

Why do my IRs sound bad, middy and muffled?

Who the f*ck eq's a vocal after putting a delay on it? And also a low cut of 150 hz on every vocal? No! Every vocal is different! And a low shelf of 7db up to 500? If u cut so much u will have a thin vocal, try it, u will see. Overall on a woman' s vocal

Thanks man!

Waiting to mix until the song is complete is so crucial. I literally learned this yesterday. A solid vocal will make everything so much easier because at that point, there's no reason to geek out over guitar tone because it's no longer the focus when there are vocals. Great video.

Why listen to this wannabe clown

Also if you have to edit the track it's better to work on clean track then edit the recorded distorted version

So, the secret is to get good, basicly)))

hi man..are you contactable by email?

ACTIVE ARE VERY CLEAN AND CLEAR LOVE THEM

Bro you are a genius. I don’t understand half of what you’re saying but it sounds awesome. (Bass and drummer, wanna be lead shredder here haha)

How would I apply these mixing tips to a band with 1 guitar player , where riffs go in and out of rhythm style mutting and lead style Is accents in the same riff. Like for example an Adam Jones style guitar player with a touch of Dime bag I can sometimes make the chugging sound good then the higher notes get lost and or vice-versa

Get it right at the source, obsessively.

I think it’s funny that (in general) people try to make their real acoustic drums sound fake and others try to make their fake midi drums sound real. I don’t know how many production videos, or behind the scenes video of a band in the studio I’ve watched, where they have such a nice performance and sound, and when they are mixing it and doing post production, they are just ripping the soul out of the kit. And I understand it’s all subjective. I just think if you are going for a really fast technical drum sound, with barely any overhead and room mic sound in the finished product, there’s a lot of corners you can cut that will save you time. Or the dudes that are on video giving you a breakdown of their expensive custom drum kit and then they replace every hit in their DAW. Just thinking out loud, this is directed at you or anything lol. Big fan of the channel, thank you for the content you make 🤘🏻🤘🏻

Nice! Bobby's mixes usually sound stellar even though I'd maybe make a different decision here or there but that's personal taste and style. From a technical view, his mixes are always top notch. However, this one honestly sounds thin and unfinished when the Rear Buss is disengaged. Maybe he balanced it like this for clearer demonstrattion purposes? Just a hint for anyone trying this for the first time: Your mix should sound render-ready to you in the first place before you even start setting up the Rear Buss routing. It then adds the final 2%. You'd rather not want to move any faders anymore except for that final Rear Buss one. Level 2: Try to set it up in a way that your main vocals are triggering the Rear Buss compressor the most. Often this is automatically the case when just sending everything post fader and unity gain cause more often than not your main vocals are the most prominent element of your mix-minus-drums. With your vocals hitting the Rear Buss compressor the hardest and considering the 200-400 ms release time you'd probably go for, the other instruments are being pushed down considerably together with the vocals, obviously. When blended back in, you not only achieve parallel thickness, but you also create the impression of the vocals slightly ducking away the other instruments. On top, if you go Dual-Mono like Schepps does, the left and right channel are reacting slightly different, which creates movement and depth. That's why Rear Buss compression is often referred to as a kind of auto-balancing or self-mixing (as in "the mix mixes itself") magic trick. Again, it should add the very last sparkle to all your careful automations and not replace any of these!

I use my Orange amp and line out with an Orange 4x12 impulse that's all I need. Maybe change a cab for a 2nd or 3rd guitar track but all the gain comes from a real amp

So basically a Sonimus Barnley 73 plugin is good enough.

Thank you for the vid, very helpful for a newbie to vocal recordings :)

I’m still having trouble having vocals sit in the mix.

LOVE this, man. I've been using your eq curves in my template for months now, but I'm so stoked to be able to see the process that goes into creating them. This will be SUPER helpful to me in the future!

Man this song sucks....

Straight to the point! Great advice!

Another tip of the hat to the guy who's improved my mixing and saved me money more than anyone else. Thanks Bobby!

Thanks for the video. I've been employing some of these techniques you teach and have been getting better results. Appreciate it!

great video. do you ever use de-esser plug-ins on vox?

Isnt it easier to just boost at 3k and widen the band till it sounds right? Instead of cuting all those other freqs

Thanks for the tip

If you have multiple vocals do you do each one or can you just eq the vocal bus?

you and hardcore music studio are my go to, to follow the objective and effectiveness way to think and all videos are amazing ALL. both of you, but i have a question: do you think this approach about old plugins and some medium gear, can be like out of date? and look, again you guys are my go to, cause match with the way I love to sound and my 2000s favorite bands sounds, but I think in some point the new things also deserve some eyes. like Bogren stuff, Neural Stuff and other more modern stuff, AGAIN I don't care about plugins and marketing thing but, I would love to have this question answered in your videos of Q&A(IDK if you get my point) cause there are NOBODY that i learn more than you and more other 2 channels. Anyway, killer video as always!!!

Cool

you should have explained gain staging with guitars

I’m a voice actor. If my signal is too hot at any point it sounds like crap. Clipping on my DAW will distort.

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We have to get this man a spindrift endorsement.

I'd love to have a band in my area of Michigan which is flint. So not a lot of uh... That kinda music. But the internet is fun. Wish I had a friend that knew reaper and can just ask questions and maybe zoom some times.

Modern tube amps don't need to be cranked to sound good, that's not a thing anymore. Also, attenuators and loadboxes already solved the loudness problem.

I always thoguht thay too it sounds better outsode a studio.

How do you remove the low end without making it sound like a tin can?

sm57 on a tom? ah all shure mics set up

Why would you choose a song with blast beats and practically no dynamics to demonstrate this?